Deryck Cooke, Wiener Philharmoniker, Georg Solti - An Introduction To Der Ring Des Nibelungen (2xCD, Comp, RM) (Very Good Plus (VG+))

Media Condition: Very Good Plus (VG+)
Sleeve Condition: Very Good Plus (VG+)

Notes:

An explanation and analysis of Wagner's system of leitmotifs by DERYCK COOKE with 193 music examples either extracted from the complete recording or specially recorded for this production, Booklet enclosed

1.1. Of All Great Musical Compositions (Ex.1-4) 3:37
1.2. The Fundamental Symbol (Ex.5-11) 4:46
1.3. Returning Now To The Nature Motive (Ex.12-16) 3:22
1.4. A Number Of Further Motives (Ex.17-21) 3:17
1.5. A Second, Much Smaller Family (Ex.22-25) 2:35
1.6. So Much For Nature (Ex.26-38) 7:56
1.7. The Cause Of The Deterioration (Ex.39-44) 3:30
1-8. The Other Transformation (Ex.45-48) 3:44
1.9. Several Other Motives (Ex.49-52) 2:47
1.10. Two Further Motives (Ex.41,53-61) 7:10
1.11. Basic Motive Associated With The Spear (Ex.62/68) 5:17
1.12. Along Another, More Complex Line (Ex.69-72) 2:11
1.13. In Act 2 Of "Walküre" (Ex.69,73-75) 2:21
1.14. Returning Now To Act 2 Of "Walküre (Ex.76-79) 3:54
1,15. Love Is Another Of The Central Symbols (Ex.80-83) 3:06
1.16. Later In The Same Scene (Ex.84-87) 2:22
1.17. Freia's Motive Has 2 Independent Segments (Ex.88-91) 2:01
1.18. The Label "Flight" (Ex.92) 0:56
1:19. When Fasolt, in Scene 2 of "Rhinegold" (Ex.93-8) 5:22
1.20. A Little Later In This Interlude (Ex.99-103) 3:20
2.1. The Other New Motive (Ex.104-09) 3:36
2.2. There Are Several Independent Love-motives (Ex.110-114) 2:55
2.3. The Characters In Whose Lives (Ex.115-120) 5:27
2.4. One Further Motive Belongs (Ex.121) 1:25
2.5. The Sword Motive Recurs (Ex.122-130) 4:28
2.6. Ironically, This Phrase (Ex.131-5) 2:58
2.7. Closely Associated With Gutrune's Motive (Ex.136-140) 2:26
2.8. Here We Come To The End (Ex.141-6) 3:43
2.9. Complementary To This Symbol (Ex.147-9) 2:14
2.10. One Last Central Symbol (Ex.150-7) 4:54
2.11. One Further Motive Connected (Ex.158-61) 2:52
2.12. There Are One Or Two Motives (Ex.162-8) 3:48
2.13. These Motives Of Alberich & Mime (Ex.169-71) 2:07
2:14. Quite A Number Of Subsidiary Motives (Ex.172-6) 2:49
2.15. Besides This Family Of Motives (Ex.177-80) 2:31
2.16. Our Final Example (Ex.10,181-2) 3:57
2:17. In The Final Scene Of "Götterdämmerung" (Ex.181-3) 2:45
2:18. Even More Masterly (Ex.184-8) 4:31
2.19. Now If We Return (Ex.189-91) 2:47
2.20. This Masterly Way (Ex.192-3) 4:52

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